《西汉有稀罕》第一季由湖南博物院倾力打造，以西汉盛世为出发点，将湖南博物院院藏极具代表性的马王堆汉墓出土服饰、化妆用具、养生用品、帛书等代表文物作为创作基础，以西汉穿越者为第一视角，以网络话题、热梗为连接，结合现代人的生活方式，揭开马王堆汉墓贵族生活的神秘面纱。从衣食住行到宴饮享乐，从天文历法到养生保健，从艺术创造到追求永恒，对比还原一个真实生动有趣的侯门生活画卷。

汉文帝即位，册立窦姬为皇后，并找回与窦姬失散12年的弟弟窦广平。广平年幼无知，中人奸计，犯下死罪。文帝与窦后情深，在执法与徇情上犹豫不定。窦后深明大义，虽痛不欲生，但还是支持文帝严明执法，处死窦广平。

越剧电视剧，上海越剧团制作。 　　汉文帝册立窦姬为皇后，并找回了与窦姬失散12年的弟弟窦广平。正当姊弟沉浸在团圆欢乐之际，不料广平因幼稚无知，中人奸计，犯下死罪。文帝与窦后情深，对窦广平一案在执法与徇情上犹豫不定。然窦后深明大义，闻知弟弟凶讯虽痛不欲生，但还是支持文帝严明执法，处死窦广平。

影片以西汉初年“文景之治”为背景，选取西汉时“窦皇后姐弟离合”、“汉文帝执法斩舅”等史料进行贯串，讲述汉文帝即位不久，册立窦姬为皇后，并找回了与窦姬失散12年的胞弟窦广平。正当姐弟沉浸在团圆欢乐之际，不料广平因幼稚无知，中人奸计，犯下死罪。文帝与窦后情深，对窦广平一案在执法与徇情上犹豫不定，然窦后深明大义，闻知弟弟凶讯虽痛不欲生，但还是支持文帝严明执法，处死窦广平。

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

西汉初年，石泉官府织造、纳贡匈奴的丝绸惨遭火焚，搅动西域风云再起。绣衣直指姜钰，奉密旨前往西域，查明案情，以缓边郡危机。姜钰心爱之人蚕奴，奔走石泉民间募集丝绸，以解庙堂之忧。独闯西域的姜钰，即将面临大汉国运与儿女私情的两难境地……

西汉初年，石泉官府织造、纳贡匈奴的丝绸惨遭火焚，搅动西域风云再起。绣衣直指姜钰，奉密旨前往西域，查明案情，以缓边郡危机。姜钰心爱之人蚕奴，奔走石泉民间募集丝绸，以解庙堂之忧。独闯西域的姜钰，即将面临大汉国运与儿女私情的两难境地……

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。

汉文帝即位，册立窦姬为皇后，并找回与窦姬失散12年的弟弟窦广平。广平年幼无知，中人奸计，犯下死罪。文帝与窦后情深，在执法与徇情上犹豫不定。窦后深明大义，虽痛不欲生，但还是支持文帝严明执法，处死窦广平。